The Newark what? you might ask. Not many people know that Newark has it's own subway. Though with only 3 stations underground and a scant 20 minutes from one end of the line to the other, it's not exactly the A train. But still is was subway-ish enough to get a small starring role in the most recent Batman blockbuster THE DARK KNIGHT RISES.
There's an article about the subway and its' recent claim to fame in the NJ.COM website this week. Initially, the plan was to shoot Pittsburgh's subway as an NYC double but then director Chris Nolan saw scouting shots of Newark's system and thought it looked more authentically "Gotham" (as it shares similar white tile walls as the MTA). So the production came in for 2 days in 2011, changed all the signage, and turned underground Newark into a star. At least for a day. It's the scene where Batman meets Anne Hathway underground if you want to check it out on the DVD.
Showing posts with label The Dark Knight Rises. Show all posts
Showing posts with label The Dark Knight Rises. Show all posts
February 13, 2013
July 26, 2012
Warner Bros. Long History Of Violent Movies
The mass shooting at a Colorado movie theatre last week was an awful tragedy. But whenever this sort of madness erupts, there is always a great deal of national handwringing over the role that violence in the movies plays in shootings like these. Are these madmen inspired by the movies? Or are they just people who would do the same thing without the examples presented in Hollywood's films.
The NY Times today ran a interesting article on the topic from a broader perspective; that of Warner Bros. studios long-history of violent, crime-ridden films that have often been controversial. In the 1940s and 1950s, as a bit of theatrical counterprograming, Warners specialized in gritty B/W films filled with criminals and, in some cases, based on real life crimes. The films were so violent and extreme, compared to the sunny & singing studio output of MGM and Columbia, that when the French got to see them after WWII ended they coined the term "Film Noir".
Though studios "brands" don't really exist now the way they used to in the olden days, it is interesting to note that Warners is the studio behind THE DARK KNIGHT trilogy. These three films are darker than any noir (even though they are shot in a faded, washed out color) in their twisted stories, psychologically disturbed characters, and deranged criminals, namely Heath Ledger's mad Joker who may have inspired the Colorado shooter. Nolan's trilogy already had caused a great deal of debate, even before the shooting last week. Other Warners films that have caused cultural consternation are THE MATRIX, DIRTY HARRY, A CLOCKWORK ORANGE, BONNIE & CLYDE and, way back in '32, I AM A FUGITIVE ON THE CHAIN GANG. However, unlike a lot of those films, the great irony in the case of THE DARK KNIGHT is that the film's hero doesn't even use a gun.
The NY Times today ran a interesting article on the topic from a broader perspective; that of Warner Bros. studios long-history of violent, crime-ridden films that have often been controversial. In the 1940s and 1950s, as a bit of theatrical counterprograming, Warners specialized in gritty B/W films filled with criminals and, in some cases, based on real life crimes. The films were so violent and extreme, compared to the sunny & singing studio output of MGM and Columbia, that when the French got to see them after WWII ended they coined the term "Film Noir".
Though studios "brands" don't really exist now the way they used to in the olden days, it is interesting to note that Warners is the studio behind THE DARK KNIGHT trilogy. These three films are darker than any noir (even though they are shot in a faded, washed out color) in their twisted stories, psychologically disturbed characters, and deranged criminals, namely Heath Ledger's mad Joker who may have inspired the Colorado shooter. Nolan's trilogy already had caused a great deal of debate, even before the shooting last week. Other Warners films that have caused cultural consternation are THE MATRIX, DIRTY HARRY, A CLOCKWORK ORANGE, BONNIE & CLYDE and, way back in '32, I AM A FUGITIVE ON THE CHAIN GANG. However, unlike a lot of those films, the great irony in the case of THE DARK KNIGHT is that the film's hero doesn't even use a gun.
July 16, 2012
The Lovesong Of J. Gordon Leavitt
So this is cute: an adorkable guy on Fire Island in a trendy tank plays a ukelele love song to Joseph Gordon Leavitt. In the song he refers to him as JGL which is fortunate because are all sorts of great words that rhyme with "L", as he demonstrates in this 3 minute song. At the end, his friends say that this will get him on THE ELLEN SHOW. Well, with the new and final DARK NIGHT opening this Friday, starring JGL of course, they just might be right. 5,000 hits today and counting....
December 20, 2011
Summer Trailers and Trailers For Trailers
The Christmas movie season is becoming just as well-known for the actual films that screen during this time of year as it is for the previews of next summer's coming attractions.
There was a lot of "buzz" this weekend as the trailer for the new and supposedly final Christopher Nolan Batman movie THE DARK KNIGHT RISES came out on Friday in theatres only, as a preview attached to the new MI:4 movie. Of course, it took only hours for it to leak all over the Internets so the studio released the trailer online late yesterday afternoon. Traffic to the Apple website was so heavy they seemed to experience a mini-crash. Anyway, you can watch it a littler easier here on FirstShowing.Net. It looks pretty impressive and even has a note of Occupy Wall Street in it (with Anne Hathaway as Catwoman representing the 99%).
In other trailer news, a new phenomenon in movie previews hit this week as a trailer for the trailer (!) of Ridley Scott's outer space epic PROMETHUS was released on YouTube. This 30 second tease features some scenes from the ALIEN-esque film as well as quick quotes from the director himself. Release date for this film is June 8 and for THE DARK KNIGHT RISES, July 20. It's looking like a hot summer at the multiplex!
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