If You Like DOG DAY AFTERNOON, You'll Love THE DOG

One of the best documentaries I've seen in a while is opening Friday. It's called THE DOG and it's about the real life guy who robbed a Brooklyn bank on a sweltering summer day nearly 40 years ago, the story of which became the basis for Sidney Lumet's classic DOG DAY AFTERNOON. John Wojtowicz was the man behind the crime that gripped the city that August and ended up having a hold on him for the rest of his life too. What's just as fascinating about John's story is his life leading up to that moment, particularly how he was involved in some of the protests of the nascent gay rights movement, including a wedding action at City Hall caught on video in the early '70s.

The film was directed by two good friends of mine, Frank Keraudren (here on the left) and Allison Berg. I've known them both for quite a while, Frank since we were students at NYU film school!  Frank also he worked with me as the editor of my first feature I THINK I DO.

As they developed this film painstakingly over the course of 10 years, I've been privileged to see it grow and change as they followed "The Dog" (how John refers to himself) around New York,  dealt with his crazy voice mails (some featured in the film), and went through various edits of the film. The final version which I saw before it headed off to the Toronto Film Festival was really moving in its depiction of this unique man's life. Whether you know DOG DAY or not, I can't recommend this film enough as it really captures the life of a true New York character.

THE DOG opens here at the IFC and Lincoln Center tomorrow August 8. And other theaters around the country this fall. Check it out!

Two 2013 Fest Faves Are Now Available: G.B.F. and STRANGER BY THE LAKE

Now that awards season is in full swing and the studios have their prestige pics playing theaters everywhere, January and February are often a slow time for mainstream films. Unless that is you have interested in naked Zac Efron in THAT AWKARD MOMENT... whose Tomato Meter hovers around 20%! However, if you're looking for a couple good indies, there are two films that were popular on the festival circuit last year that are now available in various forms of commercial release.

G.B.F. is Darren Stein's hysterical high school comedy about a teen gay who a sough-after prized possession, or Gay Best Friend, by the three most popular girls in school. The film is a romp filled with some great one liners and a hilarious performance by Paul Iacono (from MTV's HARD TIMES OF RJ BERGER) with Megan Mullally as his very progressive mom. Also, I'd recommend checking it out in a theatre near you if possible as its fun to see with an audience--their FB page has more info. Or you can stream it on iTunes too.

The other film is about 180 degrees from G.B.F. in terms of content and style but is still a must-see. The French film STRANGER BY THE LAKE, directed by Alain Guiradie, caused a sensation at Cannes last year for it's bold depiction of an all-male cruising area in which some nefarious deeds take place. I caught it at the NY Film Festival and thought it was great. The dialogue is sparse, the scenery is gorgeous, and the sex is serious--this film would actually deserve an NC-17, whereas G.B.F.'s "R" rating still baffles the mind. Anyway, STRANGER is a sexy and atmospheric dramatic thriller that is pure cinema with shades of Hitchcock as well. It's in theaters this week with trailer below.

A TIMES Profile For Sundance Head John Cooper As Fest Hits 30

There's a great NY TIMES profile of John Cooper, the director of the Sundance Film Festival which kicks off it's 30th edition in Park City this week. Though Robert Redford usually serves as the public face of the festival, John has been with Sundance for more than 20 years. I met him back when he was programming the short films in the '90s.

He selected my film POOL DAYS for the festival in 1994 which was quite a boost to my career as a young filmmaker just starting out after finishing film school at NYU. I didn't realize that he actually helped create the idea of screening shorts at Sundance, which originally was playing only feature films when it started. Anyway, he's been such an integral part of the festival for many years as the head programmer that it's great to see him getting more recognition for his tireless efforts promoting independent film as the festival begins it's third decade.

New Mickey Mouse Short Before FROZEN Is Amazing

There has been a lot of buzz about the new Disney animated film FROZEN, a musical about two princesses/sisters living in an enchanted land. Though it sounds like classic Disney, it is but with a modern twist (actually two!) which really take this out of the standard Disney-formula and make it really something special. It's one of the most enjoyable, entertaining and moving films the studio has released in many years.

But make sure when you go to see it to get to the theatre early. Not just to get a good seat but to see the new animated short that precedes the film called GET A HORSE. This Mickey Mouse curtain-warmer looks like something from the Disney vaults circa 1930. But it's actually a brand new film created by not one but two teams of Disney animators; one group recreated the classic Mickey look from that time period (B&W with a boxy frame and a very bouncy-style animation) while the second group did the 3-D work.  They even found some old recordings of Walt's voice to use for Mickey!

Now you may be wondering how an old-school short would have 3D but that's the true surprise and the real joy of this film which, I believe, is the most effective (and realistic!) use of 3D animation since the new process took off a few years ago with AVATAR. To say more would be to spoil the fun but this little short almost steals the thunder from FROZEN...almost. It's not nearly as touching and beautiful as that film but incredibly clever and hilarious too.

Paul Walker Movie HOURS Has Prophetic Tag Line

Over the weekend, actor Paul Walker died in a car accident. His death was a great shock to his fans and the Hollywood community in general. Though known for his roles in the FAST/FURIOUS films, Walker was trying to break out of that franchise and had recently completed two original features in which he had leading roles.

One of them is a film about a father trying to save his daughter during Hurricane Katrina called HOURS. The film was set for release next week and, despite Walkers untimely death, the producers have decided to keep to that schedule. What is truly strange though is the tag line of the film; "Every Second Counts". The poster was released over the summer and the distributor is not changing it for the release of the film. 

Walker was currently in production on the seventh film in the FF series. The producers of that film have decided to keep working on it, though it's unclear how they will deal with Walker's death as shooting was about halfway complete. The TIMES ArtBeat blog has an interesting item today with more details on the delicate nature of producing and releasing these posthumous films.  

HOUSE OF PAIN Super8 Film Now In HD On Vimeo

Last spring, in preparation for my B.C. class reunion, I got my Super8 films out of storage and had them digitized (finally) with a glorious HD transfer. I was hoping to somehow screen them at the reunion but then I ended up moving apts for the first time in about 20 years that same month. So I didn't have time to edit the transfers, get the sound in order, and output them.  Cut to a few months later and I've finally settled into the new place ... and I've had time to finish this project!

Today this new HD version of HOUSE OF PAIN is available for viewing on my Vimeo Plus page. This film was a wonderful collaboration with my fellow "History of European Cinema" classmate and good friend Donnamarie Floyd. We were given the option to do an AV project for our final instead of a 20-page paper and we looked at each other and were both like "hells yeah!" So we decided on a spoof of German Expressionism, a style that included classic films we loved like NOSFERATU and THE CABINET OF DR. CALIGARI (from which we stole borrowed various elements). And we found the perfect scary location for it all--our infamous, off-campus apartment building nicknamed The House of Pain.  Donnamarie agreed to star on camera, I did the shooting/editing and the rest is Super8 history, as they say.

The transfer to HD was done by the good folks at Legacy Digital in California, referred to me by fellow filmmaker Jim Fall.  The great thing about this place is that they not only cleaned the original film but actually did not use a projector for the transfer; instead each frame is scanned digitally and the results were really great with none of the distortion that the old VHS version had. Our budget for the original film was $60(!) but this new transfer cost more than 4x that. Thus, on the Vimeo page there is a little "tip jar" button for donations at the bottom of the screen to help offset that as well as hosting it on Vimeo Plus in HD. So please give a little if you can and I hope you enjoy the film--I've had a lot of fun working on it and getting it out again into the digital realm. Enjoy! 

The "Wonders" Of Old Movie Palaces In Queens And Brooklyn

One of my favorite movie-related blogs, Scouting NY, has an incredible post up this week about the old Paramount movie palace in downtown Brooklyn that was converted to a student center for Long Island University. Though the school turned the main auditorium space into a basketball court/gym, they also retained a great deal of the decorative features of the grand lobby and the ornate lounges. There are some remarkable before/after photos on the post which compare the grand luxury of the Paramount back in the day, to its more low-key quirkiness today. But some of the details, like etched mirrors and face casts on the ceiling, are very cool to see....mainly for the fact they are still there!

In a previous post this year, ScoutingNY took a Sunday afternoon tour of another repurposed movie palace on Jamaica Avenue in Queens. It was actually one of the five Loew's Wonder theaters in NY/NJ, all of which have remarkably survived. I have been to the one in Jersey City across from the PATH train which was pretty impressive. But this one takes the ornate-cake. It's Spanish-Moorish theming is totally over the top and has been completely preserved as it was when the theatre was in its heydey. The reason is that it was donated to a church group which regularly has services in the auditorium which holds 3,000-plus people. The photos are really incredible and reminded me of the Tampa Theatre in Florida (where I screened WTC VIEW and POOL DAYS) which has the same faux-Spanish village open-to-the-sky feeling inside. 

I can only imagine what it must have been like to see films in such a luxurious setting. Maybe even bad movies would have seemed good!  :)  Regardless, it would certainly have been an improvement over today's generic stadium-seating boxes. 

HBO's New Series LOOKING Stars AUGUST's Murray Bartlett

The official trailer went online today for the new HBO series LOOKING and it is looking good. I'm especially excited about the show as it stars Murray Bartlett, one of the leads from the feature AUGUST that I co-wrote with Eldar Rappaport. So it was very exciting to see him in the first shot of the trailer (and the promo image too!) as part of what looks to be a breakthrough show for the depiction of gay men on TV.

Though it's been informally referred to as "the gay GIRLS", the show seems like it will have quite a different tone and take given the creative team behind it. Andrew Haigh whose feature WEEKEND was one of the indie highlights of 2011, is directing with San Franciso-based filmmaker Travis Matthews whose infamous short I WANT YOUR LOVE and then feature with James Franco INT.LEATHER BAR pushed the boundaries for depictions of gay sex and intimacy in indie films.

LOOKING premieres on Sunday January 19th and will follow GIRLS when that show returns for Season 3 in January. I may just have to finally sign up for cable too and stop watching HBO GO at my friends houses to support this new show.  :)  "Looking" forward to it!

Fanboy Podcast Looks At STAR WARS, Minute By Minute

I recently discovered an unusual podcast which started back in June and, since then, has been doing daily episodes which examine the original STAR WARS film, minute by minute. The show is hosted by two self-professed SW super-geeks, Alex Robinson and Pete The Retailer. For each episode, they have a guest host who joins in a discussion in which they go over one minute of the film with a geeky microscope, talking about fan theories, SW trivia and cracking jokes too.

I listened to minute 116 which was a precise dissection of the moment in which Luke fires his mysterious photon torpedoes (or were they heat seeking cruise-style missiles?) into the Death Star causing it's spectacular destruction. I learned that this is not called the Battle of the Death Star but the Battle of Yavin (after the planet the Death Star nearly eliminates). Also, there was much citing of something called the Wookie-Pedia, which is a complete and incredibly detailed online glossary of all thing SW.

I thought I was a STAR WARS fan with a decent knowledge of the original trilogy and behind-the- scenes stuff. But these guys take it to a entirely different level. One of the hosts, I believe it was Pete, says he saw the original film about 35 times when it first came out in 1977, spending many afternoons at the multiplex watching it over and over. [I actually remember getting into a fight with my parents when I wanted to go see it a second time, which they considered to be a waste of money since I had already seen it!] Anyway, the podcast will end this week at minute 119 (skipping the 2 minutes of credits). They may move on to the next two films but no official word yet -- you can check their Facebook page for updates.

New Book Features Hollywood Stars In Gorgeous Kodachrome

There are many actors like Errol Flynn and Gregory Peck who we are used to seeing in black and white. But a new book about Hollywood's transition to color, specifically to that electric brand of high contrast color known as Kodachrome, is out which features some glorious color shots of those and other actors like Danny Kaye and Marlene Dietrich.

David Wills new book HOLLYWOOD IN KODACHROME has more than 200 photos like this which show us these and other actors in living color (as they used to say). Doesn't Peck look absolutely charming in that red turtleneck? While Flynn looks downright sexy and almost contemporary (Ryan Gosling-esque?) in his dapper suit.

The book was featured recently on Vanity Fair's Hollywood blog along with 14 other shots from the book, including people like Cary Grant and even Ronald Reagan. It conjures up the height of the glamour during the studio system heyday of the 1940s, a era that I am espeically fond of when it comes to the films themselves. Thus, I am adding this to my Amazon Wish List in advance of the holidays (HINT).

One Of the MALTESE FALCON's Is Up For Auction

One of the original Maltese Falcon's from the classic film of the same name, starring Humphrey Bogart, is up for auction today. This Falcon, which is made of resin and weighs only about 5 pounds, was used during filming when Bogart or others had to carry the statue as the two main Falcon's were made of lead and weighed nearly 50 pounds. This lighter bird was also used in the iconic publicity photos for the film with Bogie and the bird.

This falcon was discovered at a NJ yard sale back in 1991 by a film producer who noted the Warner Brother's serial number on the bottom and set out to research its provenance. High resolutions scans of the press photos and of the bird in question showed similar bubbles in the plastic which confirmed the authenticity, along with some interviews with people who worked on the film who were still alive.

If you're interested, the bird will probably go for a cool half million. Not bad for a legendary hunk of plastic!

The LES Goes Back To Its Past, Courtesy Steven Soderberg

I saw this remarkable picture on Twitter yesterday, shared by the Bedford & Bowery Blog (there are a few more shots on their site as well). This is not a Hollywood set but the actual corner of Orchard and Broome Street, redressed with hay and dirt to look like New York City circa 1900. All this effort was done for a new miniseries that Steven Soderberg is directing about the Knickerbocker Hospital, entitled THE KNICKS. The show is about doctors and nurses at the hosptial and the then-revolutionary treatments they used in an era of disease and high mortality rates.

It's amazing they went to this all effort to recreate this old fashioned street but, in the end, it was probably cheaper than a) building this on a backlot and b) doing it as a CGI-genereated faux street scape. As the price of EFX has risen sharply, the new mantra in Hollywood these days is "don't fix it in post"--- whereas the old mantra used to be the opposite.  

The Doc I AM DIVINE Is Divine

A couple years ago, I posted about an Indie Go-Go campaign that a friend and fellow filmmaker Jeffrey Schwarz was doing for his documentary about the actor Harris Glenn Milstead, who was infamously known as Divine. The feature I AM DIVINE hit festivals a year later and is now having it's NYC theatrical run.

After supporting the project, I finally got a chance to check it out last night and it was awesome. For a huge Divine and John Waters fan like myself, the film is a treasure trove of interviews from the Dreamland-scene and new information (to me at least) about Divine that I didn't know. Being more a film person, I was surprised to find out that Divine was such a disco star with multiple records and tours even. I just knew of her big hit "You Think You're A Man", which was a club staple in the 80's/90's. It was also fun to hear about Divine's theatrical work, here in NYC and also in San Francisco with the equally infamous Cockettes. And the personal story about his mother and his family was really quite touching.

Anyway, even though the film has been running for a few weeks the theatre was packed on a Tuesday night and even got applause at the end!  The last time that happened in a movie was when I saw LINCOLN last fall. Who knew that Divine would ever have something in common with one of our greatest presidents.  :)  Anyway, it's well worth checking out as the run has been extended to November 14th at Cinema Village...or looking for it at a local indie cinema near you.

What's Scarier Than POLTERGEIST? A POLTERGEIST Remake Of Course

Everything old is remade again lately in H'wood and now supernatural horror classic POLTERGEIST is getting the treatment. This movie is so iconic it would seem hard to do a remake but it hasn't stopped new versions of movies like CARRIE, which is due out later this month.

Some interesting details have emerged though; the script is by a New York playwright, David Lindsay-Abaire, who specializes in plays about lost children (at least his play and then film RABBIT HOLE is about this topic). On the casting front, indie favorites Sam Rockwell and Jane Adams have major roles as the dad and a parapsychologist. And there is also a GHOST HUNTERS-type character from a reality TV show who is exploring the spirits that take over the new families' home. No word on whether the house is in a subdivision that was built over a graveyard.  :)

There is one thing that probably won't be in the movie--the TV static which is the entryway for the ghosts. TV static as it appears in the original film doesn't really exist anymore because broadcast TV's don't turn off at a certain hour at night. Remarkable to think that was actually a thing back in the day. But now, TV is 24/7 on broadcast, cable, online, your phone, etc. I imagine, to a younger person the scene of the TV static might even be somewhat confusing but back then it was super creepy. The original scared the bejeesus out of me as it cleverly took the mundane households items (like a TV, or a clown doll, or a piece of leftover meat in the fridge) and turned them into supernatural things.

So I'm skeptical if they can scare things up in the same way the second time around but we'll see. POLTERGEIST redux will likely hit theaters late next year.

Controversial French Film STRANGER BY THE LAKE At The NY Film Fest

On Monday, I went to the New York Film Festival and saw a new French film which had debuted to much acclaim and controversy at Cannes earlier this year entitled STRANGER BY THE LAKE.  The film, set at an idyllic lake in the country which is a gay male cruising ground, is about desire and death. It's gorgeously shot and includes some controversial man-on-man action which goes about as all the way as I've seen in a conventional narrative film. But to call this a conventional narrative film is to miss the filmmakers' point as well. There is a dreamlike and somewhat surreal quality to the proceedings and the disturbing plot as it unfolds. It has been called a gay Hitchock film and likened to REAR WINDOW, two comparisons which are apt.

Anyway, it was great to see the film on the big screen at Alice Tully hall and even greater to get to hear director Alain Guiraudie talk about the film afterwards, via a translator, at a lengthy Q/A. He really made the translator work as he gave incredibly in-depth answers to simple questions, adding insight to his process as a filmmaker and what the film means to him.  This is one of those movies that, whether you love it or hate it, its images and scenes will likely stick with you long after the film is over. That's because what he is doing is pure cinema--visceral, visual storytelling that, while at times highly erotic, is also thought provoking in that it willfully breaks many conventions of standard filmmaking. Some of those breaks can be frustrating while others can be shocking.

Due to the film's explicit nature and lots of male nudity, it was a tough sell for distributors, especially in the notoriously puritanical US theatrical market. Naked women having sex = NC-17. Naked men having sex = don't even bother. So Strand Releasing, the distributor of my earlier films, acquired the title and will release it here unrated in early 2014--starting with a run at Lincoln Center in January. You will probably be able to see if online at some point but it's definitely worth seeking it out in a theatre.

A 7-Hour Documentary About FRIDAY THE 13TH

The horror film FRIDAY THE 13TH cost half a million dollars to make and grossed nearly 40 million dollars when it was released back in 1981. A success of this magnitude in Hollywood demands not only one sequel but, believe it or not, 11! That's right--there have been a total of 12 FRIDAY films over the last 30 years, one where Jason even went to space.

Given that ouvre, a fanboy/filmmaker named Daniel Ferrands decided to make an epic documentary about the FRIDAY series. His film, CRYSTAL LAKE MEMORIES, is a 7-hour exploration of the series of movies in which Jason, wearing his iconic hockey mask, slays his way through countless teenagers and even a few adults. There's an article by my friend Erik Piepenberg in todays' TIMES arts section about the doc and why that length was necessary to tell the story of Jason. Actually, it sounds like the film is 12 mini-docs (one for each FRIDAY movie) that have been strung together.

Unfortunately, Ferrands didn't get Kevin Bacon or Crispin Glover (who made appearances opposite Jason) to open up about their horror stories. But he does have lots of remembrances from other cast and crew. Apparently, there's even a gayish FRIDAY too--the seventh one in the series. I knew that NIGHTMARE ON ELM STREET's sequel is infamously homoerotic but didn't know Jason swung both ways too, as it were. Will have to check that one out...and the mini-doc too.

There's A New Feature Film This Fall All About CBGB

In 2006, the infamous rock club on the Bowery CBGB closed after a 30 year plus run, an eternity for a New York nightspot.  The space is famous not only for it's disgusting bathroom (now sorta on view at The Met) but also for the bands it broke; Blondie, Television, The Ramones, Talking Heads, and Patti Smith, who closed it down with a final set on the evening the music died.

This fall, there's a new feature film about CBGB and it's equally infamous owner Hilly Kristal. The trailer debuted online yesterday at the Hollywood Reporter's website and it features Hilly (played deliciously by Alan Rickman) and tons of celebrity band impersonators. The Rickman stuff looks great, the bands...could be iffy. The nutty Hilly and the "decor" of the joint were always the real interest of that place. I went to CBGB a few times in the '90s and I have to say the hype was a little much to live up to. As the tag line for the movie says "50,000 bands and 1 disgusting bathroom" and that kinda sums it up. So there were maybe 20 legendary bands that came out of the joint, another 200 or so really good bands if you're generous and maybe 300 bands that didn't suck. So that leaves the other 49,480 bands to deal with. Which meant that if you were invited to see someone's band at CBGB, well...you do the math.

Anyway, it looks like they've rebuilt the Bowery on a backlot for this movie as that current stretch of NYC street is unrecognizable from it's grungy "heyday". In fact, the CBGB is now a John Varvotos store. Times they have a changed....

Summer Reading And Viewing For Your iPhone/iPad...Courtesy of Me

As the dog days of August begin, I know that a lot of you will be at the beach or up in the country--for some of you I will be staying at your beach/country houses! :)  So I thought it would be a good time to suggest some fun summer reading and viewing, specifically of my very own summery projects.

First off, a few years back I wrote my second novel TALE OF TWO SUMMERS (Simon and Schuster) and it's still going strong, as perennial summer love stories seem to have staying power!  Now it's even available to download for beach reading on your iPhone/iPad for  $11.99 in the iBook store or just $10 on Kindle. On top of that, you get two summer love stories for the price of one...what's not to like!

The other summer-themed projects are movies; first there is AUGUST, a sultry summer romance about a love triangle set during an LA heatwave, which is now available on iTunes as well as streaming now on Netflix and Hulu Plus. This is a film that I co-wrote/produced with Eldar Rappaport and stars Murray Bartlett, who is featured in the upcoming gay HBO show set in San Francisco. The other feature is THE WAY I SEE THINGS, which I executive produced, that was written and directed by Brian Pera and is about a summer road trip that goes awry with some unlikely/lovely detours in the South. It was just released on Amazon Prime (which is free if you try the service for a month).

So check one or all three of these out in your summer downtime, and I hope you have a lovely and relaxing August. And thank you for your continued support of all my creative works.

A Summer of Big Budget Bombs--6 And Counting

A little over a month ago, Steven Spielberg aptly predicted the arc of the summer movies of 2013, saying that "maybe half a dozen mega budget movies are going to come crashing to the ground." Well, half way through the summer, six 100M-plus studio films (including the 250M LONE RANGER) have done exactly that as reported in today's NY TIMES.  You would have thought studios got the audience memo two years ago when INCEPTION, an original screenplay, was the big hit and must-see film of the summer. However, the sequels and quasi-sequels keep coming. 

The article makes an interesting point of how so-called original films like PACIFIC RIM feel a little too familiar (see TRANSFORMERS) and thus audiences are staying away. Of course, some of the summers biggest surprise hits were movies with modest budgets like NOW YOU SEE ME which broke out into true blockbuster-style grosses themselves and, nearly 2 months later, are still playing around the country. 

In Spielberg's widely reported remarks, he also predicted that the pileup of big-budget losses will change the paradigm of how studios make movies. Many have predicted this for some time but maybe with losses that could approach maybe a billion dollars by the end of the summer, the studios may actually change their game this time and look for new movies. One of my favorite memories growing up was the landmark summer of 1982, with so many amazing films (and yes, a couple sequels too). It was a fun filmgoing feast that has not been matched in recent years. Maybe 2014 (or more likely 2015) will be different.

Remembering 1990 In Under 12 Minutes

I saw this online last week--a mix/mashup/clipfest of all the pop cultural moments from 1990. Who knew there were so many?! First off, there were some serious jams that year that have proven to be enduring (see Dee-Lite!). And I have to say I was almost surprised about how many now classic films there were from that year which didn't seem that cinematically great at the time. Of course, compared to what's at the multiplex today....don't get me started. ;) Anyway, this is a fun little time machine video that will take you back. Way back. Enjoy!