Now that awards season is in full swing and the studios have their prestige pics playing theaters everywhere, January and February are often a slow time for mainstream films. Unless that is you have interested in naked Zac Efron in THAT AWKARD MOMENT... whose Tomato Meter hovers around 20%! However, if you're looking for a couple good indies, there are two films that were popular on the festival circuit last year that are now available in various forms of commercial release.
G.B.F. is Darren Stein's hysterical high school comedy about a teen gay who a sough-after prized possession, or Gay Best Friend, by the three most popular girls in school. The film is a romp filled with some great one liners and a hilarious performance by Paul Iacono (from MTV's HARD TIMES OF RJ BERGER) with Megan Mullally as his very progressive mom. Also, I'd recommend checking it out in a theatre near you if possible as its fun to see with an audience--their FB page has more info. Or you can stream it on iTunes too.
The other film is about 180 degrees from G.B.F. in terms of content and style but is still a must-see. The French film STRANGER BY THE LAKE, directed by Alain Guiradie, caused a sensation at Cannes last year for it's bold depiction of an all-male cruising area in which some nefarious deeds take place. I caught it at the NY Film Festival and thought it was great. The dialogue is sparse, the scenery is gorgeous, and the sex is serious--this film would actually deserve an NC-17, whereas G.B.F.'s "R" rating still baffles the mind. Anyway, STRANGER is a sexy and atmospheric dramatic thriller that is pure cinema with shades of Hitchcock as well. It's in theaters this week with trailer below.
Showing posts with label Alain Guiradie. Show all posts
Showing posts with label Alain Guiradie. Show all posts
January 31, 2014
Two 2013 Fest Faves Are Now Available: G.B.F. and STRANGER BY THE LAKE
October 3, 2013
Controversial French Film STRANGER BY THE LAKE At The NY Film Fest
On Monday, I went to the New York Film Festival and saw a new French film which had debuted to much acclaim and controversy at Cannes earlier this year entitled STRANGER BY THE LAKE. The film, set at an idyllic lake in the country which is a gay male cruising ground, is about desire and death. It's gorgeously shot and includes some controversial man-on-man action which goes about as all the way as I've seen in a conventional narrative film. But to call this a conventional narrative film is to miss the filmmakers' point as well. There is a dreamlike and somewhat surreal quality to the proceedings and the disturbing plot as it unfolds. It has been called a gay Hitchock film and likened to REAR WINDOW, two comparisons which are apt.
Anyway, it was great to see the film on the big screen at Alice Tully hall and even greater to get to hear director Alain Guiraudie talk about the film afterwards, via a translator, at a lengthy Q/A. He really made the translator work as he gave incredibly in-depth answers to simple questions, adding insight to his process as a filmmaker and what the film means to him. This is one of those movies that, whether you love it or hate it, its images and scenes will likely stick with you long after the film is over. That's because what he is doing is pure cinema--visceral, visual storytelling that, while at times highly erotic, is also thought provoking in that it willfully breaks many conventions of standard filmmaking. Some of those breaks can be frustrating while others can be shocking.
Due to the film's explicit nature and lots of male nudity, it was a tough sell for distributors, especially in the notoriously puritanical US theatrical market. Naked women having sex = NC-17. Naked men having sex = don't even bother. So Strand Releasing, the distributor of my earlier films, acquired the title and will release it here unrated in early 2014--starting with a run at Lincoln Center in January. You will probably be able to see if online at some point but it's definitely worth seeking it out in a theatre.
Anyway, it was great to see the film on the big screen at Alice Tully hall and even greater to get to hear director Alain Guiraudie talk about the film afterwards, via a translator, at a lengthy Q/A. He really made the translator work as he gave incredibly in-depth answers to simple questions, adding insight to his process as a filmmaker and what the film means to him. This is one of those movies that, whether you love it or hate it, its images and scenes will likely stick with you long after the film is over. That's because what he is doing is pure cinema--visceral, visual storytelling that, while at times highly erotic, is also thought provoking in that it willfully breaks many conventions of standard filmmaking. Some of those breaks can be frustrating while others can be shocking.
Due to the film's explicit nature and lots of male nudity, it was a tough sell for distributors, especially in the notoriously puritanical US theatrical market. Naked women having sex = NC-17. Naked men having sex = don't even bother. So Strand Releasing, the distributor of my earlier films, acquired the title and will release it here unrated in early 2014--starting with a run at Lincoln Center in January. You will probably be able to see if online at some point but it's definitely worth seeking it out in a theatre.
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