Two 2013 Fest Faves Are Now Available: G.B.F. and STRANGER BY THE LAKE

Now that awards season is in full swing and the studios have their prestige pics playing theaters everywhere, January and February are often a slow time for mainstream films. Unless that is you have interested in naked Zac Efron in THAT AWKARD MOMENT... whose Tomato Meter hovers around 20%! However, if you're looking for a couple good indies, there are two films that were popular on the festival circuit last year that are now available in various forms of commercial release.

G.B.F. is Darren Stein's hysterical high school comedy about a teen gay who a sough-after prized possession, or Gay Best Friend, by the three most popular girls in school. The film is a romp filled with some great one liners and a hilarious performance by Paul Iacono (from MTV's HARD TIMES OF RJ BERGER) with Megan Mullally as his very progressive mom. Also, I'd recommend checking it out in a theatre near you if possible as its fun to see with an audience--their FB page has more info. Or you can stream it on iTunes too.

The other film is about 180 degrees from G.B.F. in terms of content and style but is still a must-see. The French film STRANGER BY THE LAKE, directed by Alain Guiradie, caused a sensation at Cannes last year for it's bold depiction of an all-male cruising area in which some nefarious deeds take place. I caught it at the NY Film Festival and thought it was great. The dialogue is sparse, the scenery is gorgeous, and the sex is serious--this film would actually deserve an NC-17, whereas G.B.F.'s "R" rating still baffles the mind. Anyway, STRANGER is a sexy and atmospheric dramatic thriller that is pure cinema with shades of Hitchcock as well. It's in theaters this week with trailer below.

It Was 30 Years Ago Today--Apple Introduces Macintosh

30 years ago today, just a few days after a remarkable Super Bowl commercial touting it's new product, Apple introduced the Macintosh computer to the world and personal computing would never be the same. Below is the video of a very young, charming Steve Jobs introducing the new machine to loud hoots and hollers and he slips in a 3.5 inch disc (remember those!) and the small B/W screen starts to some some graphic and letters. By our standards today, it seems pretty ho-hum and the audience reaction over the top. But this was the first personal computer with a graphical interface...and it truly blew people's minds.

I have fond memories of the original Mac. I remember a guy in my college dorm who had one, which amazed everyone (it retailed for nearly $2500 bucks!). And then, a year later, the computers were available to everyone in the Boston College computer center. I remember writing my first short stories and crafting the plots for my first films using the Mac. I even used it to draw some characters for an animated cut-out film (ala SOUTH PARK) that I shot on Super 8. I'd like to get that one online one of these days! In the meantime, here's Steve Jobs and the Macintosh...

Paramount Will No Longer Make 35mm Film Prints

This week the LA TIMES reports that Paramount Pictures has officially announced that it will no longer release its films on actual film. ANCHORMAN II would be the last of its movies to hit theaters as standard 35mm release prints and, conversely, THE WOLF OF WALL STREET would be the first of its flicks to be distributed only digitally. This is big news and marks the beginning of a big transition for the major studios that began nearly 10 years ago with the introduction of digital projection technology.

Originally, digital projection was seen as a potential boon to indie filmmakers. In summer of 2003, BOYS LIFE 4 (a project I executive produced which included my short BUMPING HEADS) was released digitally in 20 cinemas across the county. It saved a lot of money on the cost of striking film prints but, at that point, it limited our release somewhat as a lot of theaters were not yet equipped for digital screening. A decade later, some indie cinemas are still trying to make that expensive upgrade because if they don't, they may have to go out of business.

The NEW YORKER has put together an interesting and beautifully shot short film about such a theatre in Hudson, NY. The Fairview is a small 3 screen art house that shows indie fare but is struggling with the upgrade. Fortunately, the local community there has helped support the transition but it might not be enough to make it happen. A compelling look at the changes and challenges in commercial cinema today.

FROZEN Viral Video Has Twins Singing "Let It Go"

I'm a big fan of the new Disney animated film FROZEN, which cleverly reimagines the standard princess story and has some great Broadway-style songs to boot. In fact, there was a recent official announcement that Disney is developing the movie as a stage musical though there is no date on when it might hit the Great White Way. 

Since it's release in November, there has been some serious viral video action based off of FROZEN's big hit song, "Let It Go" originally recorded for the film by Bway star Idina Menzel. Now, there are all kinds of kids singing the song on YouTube, with various stages of professionalism and polish. But the one that really caught my eye was first posted on Vimeo where it has racked up more than a million hits. Now it's on YouTube where it passed the half-million mark today.

Maddie and Zoe are twin 4-year old girls singing the song as a duet for their dad, cinematographer Aaron Mendez. They perform the song with such heart and verve and excitement (including the awesome yawn halfway through!) that it has clearly taken the crown in the viral derby for "Let It Go" covers. However, this take does require some previous knowledge of the song/lyrics to fully enjoy the girls truly unique version. At least, that is, until someone adds subtitles. 

A TIMES Profile For Sundance Head John Cooper As Fest Hits 30

There's a great NY TIMES profile of John Cooper, the director of the Sundance Film Festival which kicks off it's 30th edition in Park City this week. Though Robert Redford usually serves as the public face of the festival, John has been with Sundance for more than 20 years. I met him back when he was programming the short films in the '90s.

He selected my film POOL DAYS for the festival in 1994 which was quite a boost to my career as a young filmmaker just starting out after finishing film school at NYU. I didn't realize that he actually helped create the idea of screening shorts at Sundance, which originally was playing only feature films when it started. Anyway, he's been such an integral part of the festival for many years as the head programmer that it's great to see him getting more recognition for his tireless efforts promoting independent film as the festival begins it's third decade.

Michael Buble And Ben Aaron Have A Holly Jolly Bromance

Two of my favorite things, Michael Buble and WNBC's Ben Aaron, got together this week to promote Buble's annual holiday TV special and it looked like the beginning of a beautiful bromance.

I've written on here before about the gangly charms of Mr. Aaron and his genially goofy nature. Well it all served as a perfect complement to Buble's cool-dude vibe as the talked crooning and got along like brand new BFFs. Buble even got Aaron all giggly a couple times. They cracked wise about Christmas and chatted about each other's unique physiques, with Aaron lamenting his concave chest as Buble complimented his slim looks while comparing him to Andrew Garfield, adding that "if I looked like you I would be naked for this interview." Whoa--if only HBO did these sort of promos! ;)

In the end, they even posed together for a shared holiday greeting card with somewhat deranged expressions. I hope this holiday bromance lasts past the season and the promotional efforts for Buble's special. These two were not only adorable together but a lot of fun too!

The MPAA In Another Ratings Controversy With G.B.F.

This week a friend of mine's feature film G.B.F., a new high school comedy by Darren Stein, was given an R rating by the MPAA despite the fact that there are no F-bombs in the film and no nudity. The rating was for "sexual references", most of which you can catch on any TV-14 shows on a given night of television. However, the real reason behind this ratings is the MPAA's long-standing unofficial policy of "Instant R" for any film that has leading characters who happen to be gay. I know this from many industry meetings about feature projects of my own that have struggled with financing due to this situation that has unfortunately been around for decades.

Darren took to Facebook to protest the rating and the MPAA's bias against gay stories and characters. Many people were shocked to hear about it and it started a lively discussion in the comments which has now transferred to Gawker, which picked up the story yesterday with a more detailed dissection of exactly what is and isn't in Darren's film. When compared to most PG-13 high school comedies, G.B.F. seems to warrant that level of rating. Its absurd that a film about teens and meant for teens is not able to be watched by the majority of teens simply because there are gay characters. A similar situation happened with the doc BULLY last year .

Darren has been encouraged to appeal the rating but such an appeal is expensive for an indie film and is also no guarantee of a rating change with the incredibly secretive MPAA. But it would at least send a message that as filmmakers, we are not going to take this sort of discrimination anymore when it comes to the restrictive rating simply because characters are gay or lesbian.

Columbia Student Film Enters National Film Registry

Today's headline over at the Hollywood Reporter notes that PULP FICTION and MARY POPPINS made the cut of this year's 25 new entries into the National Film Registry. Each year the Library of Congress designates a new group of films for preservation as "culturally, historically, aesthetically significant.

But for me the real news was that Adam Davidson's classic student short THE LUNCH DATE, shot when he was at Columbia's film school in 1989, also made the cut. I don't know if this film has been seen much outside of film schools but it did win the Oscar for short film in 1990.

This was probably one of the first short films I saw as a grad student at NYU and it was really an instant classic. Beautifully shot in black and white at Grand Central Station, it tells a simple and nearly soundless story of a woman and a homeless man who end up on an unexpected "date". It really impressed on me the nature of visual storytelling as I was transitioning from being a writer to a filmmaker. Here it is below if you want to check it out.

The STAR WARS Holiday Special Gets Dissected Live

Last night, I went to the Parkside Lounge where the podcasters behind THE STAR WARS MINUTE, Alex Robinson and Pete The Retailer, took on the bastard stepchild of the SW franchise; the infamous STAR WARS HOLIDAY SPECIAL. Their 2-hour live podcast took apart the "special" which was essentially a variety program that aired on CBS just before Thanksgiving in 1978 (pre-empting THE HULK and WONDER WOMAN!) and was considered a critical disaster even though it got a respectable audience of about 13 million people...which is not too shabby for a Saturday night in the pre-cable era.

If you haven't seen it, you can watch the entire special online at Daily Motion. But be warned... it is extremely slow going and very bizarre. During the live podcast last night, Alex Robinson referred to the opening 20 minutes as a sort of "weird performance art piece" where only Wookie is spoken. The episode centers around Chewbacca's family on their home planet as they wait for Chewie to return for something called Life Day. When humanoids appear, it's in the form of short cameos by the SW gang; Luke (looking heavily made up post-car accident), Leia, Han, and even Darth Vader (in a clip swiped from the first movie and repurposed for the show).

But the true strangeness is the special guest stars--Harvey Korman in multiple "comic" roles, Art Carney as a local trader and Bea Arthur as a sassy barkeep at the alien cantina from STAR WARS. But wait there's more--Diahann Carroll and Jefferson Starship do a couple strange songs too. The one element the bloggers agreed was actually good was an animated short about halfway through that introduces Boba Fett. And it is pretty cool looking filled with trippy, 70s style animation of the familiar characters and some snappy dialogue as well. The rest, however, is pretty embarrassing and had little involvement by George Lucas, who basically licensed the characters for this one time outing which never aired again and still remains commercially unavailable. But thanks to the Internets, it lives on to baffle and amuse people to this day. Merry Christmas!

NBC Planning New Musicals After SOUND Success

NBC got a blockbuster audience of nearly 19 million people to watch the live broadcast of a musical last week. Given those spectacular numbers, they are already planning to do it again next holiday season. There's an article in today's TIMES saying that they've been getting lots of suggestions and have already narrowed it down to a few choices.

Though there was a cacophony of criticism about Carrie Underwood's performance as Maria, I just think it's great they are bringing the musical form back to television. I've always believed there is so much talent in New York theatre that could be presented in this way--hey, it worked pretty well in the 1950s and introduced stars like James Dean and Paul Newman to a national audience. In fact, SOUND OF MUSIC did the exact same thing with Audra McDonald last week.

Mainly known in NYC as an amazing actor/singer/Tony winner, Ms. McDonald is now a national treasure with her showcasing as Mother Superior last Thursday night.  It was a remarkable performance which was easily the highlight of the show and, during one of their songs together, actually made Carrie Underwood even better in her role (as many bloggers and critics have noted). I have seen her many times here in the city, most memorably in one of her first roles in CAROUSEL, and she is a truly incredible talent who deserves more attention on the national stage.