When I was at the Berlinale Film Festival for the first time in 1998, one of the first things I did in Berlin was buy a copy of the International Herald Tribune. The paper, an European version of the NY Times in English (run by the Times with the assistance of the Washington Post since 1967), is iconic in many ways but especially to me as a filmmaker from it's memorable role in the French New Wave film BREATHLESS. Jean Seberg's character sells the paper in the streets of Paris and her uniquely wan barker's call is burned into my movie memory -- as is that film in general.
There's a piece in today's TIMES about the coming name change for that paper to the International New York Times (happening this fall) which, of course, doesn't quite have the same ring to it. The article which is in the City Room blog, is fascinating for its mini-history of the NY Herald (for which Herald Sq is named after) and the Tribune (which spawned a sunday supplement which became New York magazine--who knew?).
I love reading about the old papers and how there used to be some many of them until television killed the daily print beast. Now the Internet is trying it's best to knock off what remains. But it's great to read about the way things were and all the different flavors these different papers brought to the coverage of old New York.
Showing posts with label City Room Blog. Show all posts
Showing posts with label City Room Blog. Show all posts
March 7, 2013
February 5, 2013
The Songs From SMASH's Fake Musical Become Popular
There's a fun piece on the TIMES City Room blog today about the growing popularity of songs from a Broadway musical that was never on Broadway. "Bombshell" is the name of the fictional show withint the NBC show SMASH, which follows the behind-the-scenes story of this fake musical's journey to the Great White Way. While there has been much speculation about whether "Bombshell" might actually be a musical some day, that hasn't stopped patrons of piano bars from singing it's praises alongside standards from SOUND OF MUSIC or LITTLE SHOP OF HORRORS. Marie's Crisis, one of my favorite village nightspots, gets a heavy mention in the piece as a joint where this trend is taking off.
There was a great detail in the story about the writers of SMASH's songs, Scott Wittman and Marc Shaiman. They been a couple since they met in the 1970s...at Marie's Crisis! (Talk about meeting cute for two songwriters.) Now their tunes from SMASH are well, a smash. At least with the gay piano bar crowd. The songs have also not done too badly online either. In fact, later this month, there will be a real fake cast album released on iTunes for "Bombshell" with 22 tracks from the non-existent show. And the show itself starts its 2nd season tonight on NBC.
There was a great detail in the story about the writers of SMASH's songs, Scott Wittman and Marc Shaiman. They been a couple since they met in the 1970s...at Marie's Crisis! (Talk about meeting cute for two songwriters.) Now their tunes from SMASH are well, a smash. At least with the gay piano bar crowd. The songs have also not done too badly online either. In fact, later this month, there will be a real fake cast album released on iTunes for "Bombshell" with 22 tracks from the non-existent show. And the show itself starts its 2nd season tonight on NBC.
May 18, 2012
Getting Close To The Top Of The World
Yesterday was a crystal-clear spring day in New York. When I was walking home for lunch, I turned onto my street and noticed a beam being raised into place a thousand feet in the air at the top of the new 1 World Trade Center building. The clarity of the steel beams against the blue sky was remarkable, especially after a week when the tower was covered in clouds, fog and rain. So I snapped a few photos which I've posted below.
The pictures came out incredibly blue but that's not just due to the sky. I had just been shooting some video indoors with the same camera and had it on the incandescent setting. But, in a way, it ended up as an interesting, if unintentional, stylistic choice.
Though there is a new controversy over what it's official height will be, construction workers are getting very close to the top of the structure. The new WTC is set to top out next month. Yet already the new building has claimed its space in the downtown skyline, balancing out the lower end of the island while providing a new "due south" to help people get their bearings in the urban jungle of Manhattan.
The pictures came out incredibly blue but that's not just due to the sky. I had just been shooting some video indoors with the same camera and had it on the incandescent setting. But, in a way, it ended up as an interesting, if unintentional, stylistic choice.
Though there is a new controversy over what it's official height will be, construction workers are getting very close to the top of the structure. The new WTC is set to top out next month. Yet already the new building has claimed its space in the downtown skyline, balancing out the lower end of the island while providing a new "due south" to help people get their bearings in the urban jungle of Manhattan.
March 29, 2012
Trains May Be Returning To The High Line As High Art
This stunning rendering is for a proposed work by famed artist Jeff Koons for The High Line. Called simply "Train" it would suspend a replica of a 1943 steam locomotive over a section of the trestle park that runs from the Meatpacking District to 30th Street. The locomotive is similar to the ones that used to actually run on the High Line long before it was converted to one of the city's most spectacular parks. Adding the "Train" would certainly be an amazing addition to The High Line. The main problem is the price.
As reported yesterday in the TIMES city room blog, the sculpture would cost 25 million to fabricate and install. The idea is to have it hang over the section of the High Line closest to the Penn Station rail yards, near 30th Street and 10th avenue. High Line co-founder Robert Hammond hopes that a single donor (Barry Diller, your phone is ringing!) may gift the money needed for the sculpture. Let's hope so as it would be a stunning addition to an already stunning public space.
As reported yesterday in the TIMES city room blog, the sculpture would cost 25 million to fabricate and install. The idea is to have it hang over the section of the High Line closest to the Penn Station rail yards, near 30th Street and 10th avenue. High Line co-founder Robert Hammond hopes that a single donor (Barry Diller, your phone is ringing!) may gift the money needed for the sculpture. Let's hope so as it would be a stunning addition to an already stunning public space.
Subscribe to:
Posts (Atom)





