The Original BUCK ROGERS Theme Song Had Lyrics

One of my favorites TV shows from way back is BUCK ROGERS IN THE 25th CENTURY. Starring the 70s-sexy Gil Gerard, it was a reboot of a character that had been around in comic books and serials since the 1920s. It ended up on TV as part of the post-STAR WARS push for scifi shows on the major broadcast networks. BUCK was late to the party arriving in the fall of 1979 and lasted only two seasons.

I always amaze people when I tell them the TV series theme song actually had lyrice (sorta the way I LOVE LUCY had lyrics). BUCK's pilot was originally released as a theatrical film in March of 1979 (which I saw when it came out!) and they had an elaborate Bond-esque sequence of Gerard floating around in space with co-star Erin Gray and other buxom space babes. It's a totally cheesy 70s rock pop love song about being frozen in suspended animation while traveling in a 500 year long orbit!

SCHOOLHOUSE ROCK!'s "Interjections" Meets STAR WARS

This is my second two-of-my-favorite-things post this week, but I couldn't resist. Someone has done a mashup of STAR WARS clips to the "Interjection" episode of SCHOOLHOUSE ROCK. It's pretty damn funny and a good thing to watch if you're at work on Friday. I found this feature over at Towleroad today and had to share as it just made me smile. Happy Weekend!

Oscar Nominated Doc To Become ABC Miniseries

HOW TO SURVIVE A PLAGUE, the acclaimed indie doc about the AIDS activism movement of the 1980's and 90's, may have lost at the Oscars (to the feel-good crowd-pleaser SEARCHING FOR SUGARMAN) but it's winning in the world of television. The Hollywood Reporter today announced a deal for the feature length movie to be turned into a mini-series saga for ABC. It's surprising news on multiple fronts; not only is the mini-series format returning to network television after a long absence but it will also be telling the remarkable story of AIDS activism and how it lead to the modern LGBT civil rights movement. 

The documentary, produced by my friend and fellow filmmaker Howard Gertler along with director David France, was incredible and  my only critique was that I wanted to know more about these incredible activists. So now that wish will be answered in a major way this with new multi-hour series exploring the characters who made these remarkable changes in the FDA drug approval system and saved the lives of thousands of people infected with HIV. 

There are scant details so far about timing of this series as the show is in development but I look forward to hearing more and seeing it on the "little screen" soon.

Billy Eichner Interviews Pink Up In The Air

I'm a big fan of Billy Eichner and his show BILLY ON THE STREET on Fuse. Now, he's branching out of a bit from his man-on-the-street schtick to do an interview with the fabulous Pink. But since it's Billy, this is no ordinary celebrity sit-down. In fact, the entire interview takes place about 40 feet off the ground as they dangle from harnesses, as Pink likes to do lately. 

Billy consistently cracks Pink up with his odd questions and off-the-wall comments (Kelly Clarkson!). Truly funny stuff--hope to see more of these crazily honest style of interrogations on his show. Or Conan, where he is now a semi-regular as well. 

Doc Up For Oscar Was Shot (And Saved) By An iPhone App

The documentary SEARCHING FOR SUGAR MAN, which has been nominated for an Academy Award, was partially shot using a $1.99 iPhone app. The story of the film itself is remarkable, about an Detroit singer unknown in the U.S. but wildly popular in South Africa in the 1970s.  The filmmaker, Malik Benjeliou, was originally shooting his b-roll on Super-8 film to get that groovy, 70s vibe. But, like all indie filmmakers, he ran out of money.  Enter the iPhone app called iSuper8 (of course) that recreates the look of that classic stock by shooting with an iPhone. Voila--film saved.

Malik shows exactly how he did it on this piece that ran on CNN last night. It's a very clever move by a filmmaker whose efforts have been rewarded with a trip to the Oscars on Sunday night. Let's hope he shoots some vintage-style footage of the big night on his phone.

After Furor, The AP Stylebook Recognizes Marriage Equality

Last week, the AP caused on online fury when it said that it's Stylebook, which sets the standard for journalism in the US, would not recognize gay marriage. Essentially, they said that the use of the word husband and/or wife were exclusively the domain of heterosexual couples, regardless of whether gay couples were legally married in states where it is now an option. Bloggers went nuts, as did journalism watchdogs, and today the AP relented and, in a statement, made public it's new inclusive entry for husband and wife.

Americablog, which was one of the most critical voices in the discussion, today has some great details on the back and forth of this and the advocacy both inside and outside the company that put on the pressure when this broke last week.  It started out, apparently, as an internal debate which got leaked when some irked AP employees  got the word out. And good thing---because words matter. And the AP Stylebook is the essential for writers/journalists (some of whom are often covering the issue of marriage equality itself).

Despite the initial AP misstep, it's good news in the news room. And for the acceptance of marriage equality as well.

The End of the Oscars...Literally

Producers Neil Meron and Craig Zadan are known for their big musical productions of films like CHICAGO and, one of my favorites, HAIRSPRAY. This year they are also producing the Oscar telecast and promise to bring a musical touch to the proceedings, with performances by Adele, Shirley Bassey and even Barbra Streisand in her first song at the awards show since 1977. Today's Hollywood Reporter has news of another unusual touch they are adding to the show--an actual ending.

Usually, the telecast ends with the Best Picture statue being handed out as producers thank their wives, God and Harvey Weinstein. But this year they want to utilize their host Seth McFarlane's musical skills and do a big closing number after the big award. It seems they are taking a cue from the Tony broadcast which, in recent years, has ended with Neil Patrick Harris doing a memorable original song that recaps the evenings highs and lows. No words on whether that was the source of their inspiration but, clearly, as Broadway producers themselves, they are surely Tony watchers and attenders. Regardless, it will be a welcome addition to the ceremony instead of the usual rush to the local news.

My Short Films Are Headed To UCLA Archive

Over the weekend, I boxed up the 16mm negatives of my two NYU short films SHALL WE DANCE and POOL DAYS for a trip out west to the UCLA Film and Television Archive.  The archive, partnering with Outfest, has created the Legacy initiative to preserve LGBT films for scholars and researchers. It's a massive collection, with thousands of holdings which make it the largest repository of LGBT media in the world.

I had been called by a festival programmer last summer and asked about putting my films in the archive. At the time, I was working on another project and though it sounded like a great idea I just didn't get around to it. Fast forward to last month and this became my New Year's resolution; to get my previous films in order and properly stowed for the future. I THINK I DO, my first feature, will be heading to the archive shortly from a vault in Glendale, where it's been for the last few years. And I'm currently making some transfers to digital media of my Super8 movies from even further back.

For my film school shorts, it's certainly a lot better having these negatives stored in proper archival conditions rather than in a cardboard box under my bed (where most filmmakers tend to put their projects "in storage"). I'm very grateful to Outfest (which has screened 6 of my films over the yeas) and UCLA for supporting this project and making it possible for filmmakers to have some peace of mind, knowing their work is in a safe for place for generations to come. 

Missouri High School Loses In Gay Prom Date Case

A Missouri high school failed this week in it's attempt to keep a male student there from bringing his boyfriend to the prom. The school initially pointed to a policy in the student handbook that said "girls invite boys, boys invite girls". But when the adept student in question, 17-year-old Stacy Dawson decided he was going to fight, he contacted the Southern Povery Law Center and they reminded the school that Stacy has some constitutional rights, per previous court rulings.

The whole story is on Queerty as the high school administrators are that site's official "Douche of The Week". I think it's great not only that Dawson can go to the prom but that he actually challenged the school publicly and won. It's a measure of how far things have come in terms of LGBT rights in just a few years. In 2005, my first novel A REALLY NICE PROM MESS was about a similar situation dealt with very differently, when the lead wants to take his b.f. to prom but does so secretly on a double date with two girls. (He's at a private school so there is not court-ordered option, and he's semi-closeted too.) Unfortunately, the secret gets out on page one and the night becomes a comedy of errors.

Fortunately for Dawson, his real world prom will be neither comic nor an error--it will just be a romantic night with his main squeeze. Cute! :)

Newark's Subway Stars in THE DARK KNIGHT RISES

The Newark what? you might ask. Not many people know that Newark has it's own subway. Though with only 3 stations underground and a scant 20 minutes from one end of the line to the other, it's not exactly the A train.  But still is was subway-ish enough to get a small starring role in the most recent Batman blockbuster THE DARK KNIGHT RISES.

There's an article about the subway and its' recent claim to fame in the NJ.COM website this week.  Initially, the plan was to shoot Pittsburgh's subway as an NYC double but then director Chris Nolan  saw scouting shots of Newark's system and thought it looked more authentically "Gotham" (as it shares similar white tile walls as the MTA). So the production came in for 2 days in 2011, changed all the signage, and turned underground Newark into a star. At least for a day. It's the scene where Batman meets Anne Hathway underground if you want to check it out on the DVD.