Starting at midnight last night, the Whitney Museum will be open 24 hours a day until Friday at midnight. It's the final days of the museum's Biennial exhibit, featuring the work of more than 100 artists.
The all-niter concept was the work of an artist too: Los Angeles conceptual artist Michael Asher. His art consists of altering the hours of operations of museums and other institutions....really. So he made the proposal to have the Whitney be open for a whole week but the museum couldn't afford the staff for that sort of operation so they cut it down to three days. Still, it should be a unique experience to stop by the museum at 4am to see the latest the art world has to offer. And admission is pay what you want.
The Whitney Biennial (photo above) opens to the public today uptown. Meanwhile, tucked in amongst the 10K handbags and designer snowboots, something called the Brucennial is opening in Soho.
Filling the walls of a bi-level space, the show (pictured below) is a hodgepodge of new work and old, including paintings by superstars like Julian Schnabel and David Salle. As stated coyly in their press release, the show "brings together 420 artists from 911 countries working in 666 discrete disciplines to reclaim education as part of an artist's ongoing practice." This is the third Brucennial, put together by the Bruce High Quality Art Foundation, a loose collective of five artists. The big difference from the Whitney is that Bruce is run by artists and for artists. There is no selection committee.
The TIMES review of this year's Whitney Biennial is favorable, commending the museum for halving the number of artists included to a spare 55 and putting on a cleaner show. The Brucennial aims to be the opposite. And unlike the Whitney, it is free.
